"Theory has nothing whatsoever to do with poetry.
The only thing that matters is how much talent someone
has and how far they're willing to go with it --
the rest of it's largely bullshit, though it's possible
one needs some bullshit in life."
-- Alice Notley
is good for the distinct ideological awareness of
the modern American in that it separates the artist-intellectual
from his symbolic poverty of character
and introduces an entirely truthful and irrational deliverance of
temporal meaning
juxtaposed with the existential necessity for
fetishism to be perceived as
a socioeconomic culture unto itself
when assessing the familial patterns of language that persist
in identifying the author as difference and the subject as
contextual product
the proper conditions for a dissipation of knowledge
lies a single languishing showcase home
and inscribed on its industrial-sized back door is
the hypothetical word
ANTECEDENCE
(consequently
the same word can now be found tattooed on the back of my left anklejust below the sock line)
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